5/29/97


Well, I'm about to leave Oz and EM to move to Europe and

hopefully start a

Ph.D. in Archaeology (a long way from Marine Zool. and EM!) but

before I go

I've got to do an animated sequence from the SEM, in stereo, on a

very

small spider (a couple of thousand frames). Should look good.

The folks

here said I should pass on the mounting technique, so here it is.

Tip #1: BSE detection and Carbon

I'm shooting with a Robinson BSE detector. It gives a more

"real"

illumination than SE and has the benefit of not "seeing" carbon.

The

specimen is normally mounted on top of a minuten (entomological)

pin which

is clamped in a 12mm "vice-stub" and tilted at 90 degrees in the

SEM. On

my Cambridge S120, the top of the stage mechanism is now out of

view but

you still see the bottom plate below. I've covered that with a

piece of

alfoil which has been painted with thinned-out carbon dag, making

it a

perfectly black, "studio-shot" background when using BSE.

Tip #2: No unsightly props

Further, instead of mounting the specimen on the usual minuten

pin, I've

fixed it to the end of the lead from a clutch pencil

(draughtsman's

pencil), so the pin is also virtually invisible under BSE.

Doesn't the

pencil lead get coated too? I've taken a medium-bore tip from a

syringe,

held it in an alligator clip, and fed the pencil lead down into

it leaving

just the specimen exposed for coating.

Tip #3: Accuracy in mounting

Mounting very small specimens on a pin-tip is difficult at the

best of

times. As the animation sequence is to be in stereo, the

specimen must be

at exactly the right angles to the pin and we don't want to see

any

excessive blobs of dag. You'll need a small bench vice,

micrometer screw

guage and double sided tape (DST). Lay your stereomicroscope

down on its

front with the head reversed so that the eyepieces point up and

the light

path is (roughly) horizontal. Clamp the side of the screw guage

into the

side of the vice and place it in front of the 'scope. Secure your

specimen

to a foam block with crossed minuten pins and secure the block in

position

to the opposing pole of the screw guage with DST. Fix the

mounting pin to

the mobile shaft of the screw guage with DST. Watching it all

through the

'scope, do a dummy run to ensure that everything lines up. Screw

the pin

up, apply a meniscus of dag to the end of the pin and screw it

down to the

specimen. Leave to dry.

Tip #4: Centre of rotation

Because this sequence includes rotating the animal 360 degrees,

the pin has

to be at the centre of rotation of the stage. However, in my

12mm

"vice-stub", the vice is offset. Instead, I'm using a pop-rivet.

Push the

nail out and use the rivet and its collar; the rivet has the same

diameter

as the shaft on a normal 12mm grooved stub. Put the pin down the

bore and

dag it into a central position.

Hope you find these tips helpful and if you're in Oz around

September, drop

into the Australian Museum, Sydney, to see the stereo animation

sequence of

the spider (unfortunately, I'll be gone by then).

Geoff Avern

Manager

Microscopy Labs

Australian Museum

Sydney, Australia


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